“Right around the time I met Sean Combs, I was dealing with him from a management level,” says Thompson. Thompson speaks on how he became involved with the My Life album and the vision he had for Blige as a recording artist. Blige’s second album, My Life to talk about the methodology behind creating such an iconic album. SoulCulture recently sat down with Carl “Chucky” Thompson, co-producer of fifteen songs on Mary J. Thompson and Combs provided the soundtrack of recapturing the essence of 1970s Soul and early 1990s Hip Hop music while Blige wrote soul stirring lyrics and displayed stellar vocals on all 17 songs on the offering.īetween the winter of 1993 through August of 1994 the majority of My Life was recorded in The Hit Factory studios in New York, New York. My Life would catapult Blige into another realm and showcase her writing and vocal abilities. The combination proved to be explosive for the What’s the 411? album. Her vocal prowess reigned supreme over Hip Hop infused tracks with sprinkles of hard drum beat patterns and synths. These two things made her stand out amongst her R&B/Soul counterparts. Her singing style was refreshing reminder of past R&B songstresses such as her influences Aretha Franklin, Chaka Khan and Anita Baker, but she brought something new to the discussion with her hard girl persona and descriptive lyrical content. She sang background vocals for much of the talent on the Uptown Records roster until the recording of her debut album took place in the winter of 1991. Her first recording was singing the hook for then popular rapper and label mate Father MC on his song, “I’ll Do 4 U,” in the fall of 1990. Once signed to the label, an up and coming producer named Sean “Puff Daddy” Combs began working with Blige to craft her image and sound for the viewing audience. Blige’s career began in 1989 when she was signed to Uptown Records by then CEO, Andre Harrell after he listened to her demo of Anita Baker’s classic, “Caught Up in the Rapture.” She became the youngest and first female act signed to Uptown Records. All of these factors combined with the production gifts of Carl “Chucky” Thompson and Sean “Puff Daddy” Combs laid the foundation for one of the most legendary albums of the 1990s and in R&B/Soul music history. During this juncture, she was battling clinical depression, alcohol and drug related problems and a tenuous, abusive relationship with K-Ci Hailey of Jodeci. This album became an introspective masterpiece due to the many complications Blige was dealing with personally.
Upon the album’s release, Blige was coming off a hectic two years promoting her debut album and remixes album, which became highly successful as well. Coming off the triple platinum success of her debut album, What’s the 411? Blige retained her crown as the reigning Queen of Hip Hop-Soul with the release of her follow up album and reestablished her dominance on the R&B landscape. My Life was released on Novemand it lived up to expectations set by fans of Mary J.
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